Happy anniversary! (Plus: The long and winding road of page 8A of Superboy #212)
On Wednesday, July 15, 1975, "Superboy" #212 was just appearing on the newsstands across America. Sometime around then, I picked it up from my regular shop (a 7-11 near the local mall). It was just a month shy of my 9th birthday. I think it was a little while before I became a regular reader, eventually getting the back issues that I had missed, but I consider this to be my anniversary of being a Legion fan.
So in honor of that, here's a story in 3 parts behind the story in that issue; in particular, about a single page of art in that book that never even appeared in the first place. Surprisingly, I don't think I've told this story to a wide audience before.
Part 1: How a Comic is (Un)Created
If you have read ""Last Fight for a Legionnaire!", the story from "Superboy" #212 about the Legion of Super-Rejects and Matter-Eater Lad getting drafted, in Legion Archive #11 and compare it to the printed issue, you'll notice that there's an extra page in the reprint, the page where Karate Kid gives Tenzil a pep talk. That page was cut from the original issue. Why? Well, here's Jack C. Harris (aka Production Assistant Lad), to tell us why, from the pages of "Amazing World of DC Comics #9" (cover dated December 1975), the special all-Legion issue, in an article entitled "How a Comic is (un)Created".
In prior installments of this feature, various writers revealed how comics spring from the scripter's or editor's mind, are translated into penciled pages, inked and finally become finished artwork.Click on each image to embiggen.
Boy, did they ever make it sound easy! To hear them tell this wonderful story, you'd think there were never any problems! Oh, if it were only so!
Every snag or delay that could possibly happen -- has! Even those problems that couldn't ever occur -- do! Thankfully, most of those difficulties are little ones that can be corrected in the early stages. But some require more drastic action.
For instance, here's a problem that confronted us in March of this year. Murray Boltinoff and I had just turned SUPERBOY starring THE LEGION OF SUPER-HEROES #212 in to the production department for final corrections before it headed to the printer. Originally, these stories were scheduled for the lead pages of a 50¢ Giant. Since we'd recently discontinued that format, we kept the 12-page cover feature ("Last Fight For A Legionnaire"), the 8-page back-up ("A Death Stroke At Dawn") and my Super-Talk letters page (my first one for that book!) as our regular 25¢ Issue.
The day after we turned it in, production manager Jack Adler rushed in (Adler constantly rushes nowhere) to tell us the page count of the 25¢ books had been reduced. We had to cut two pages....
The first thing we sliced was my letters page! It was a good one, so I could easily add some new comments and have it ready for #213. But how about that second page? Somewhere, somehow, we had to cut some story! After careful re-reading, Murray and I found that the 8th page of the first story could be omitted without losing the even flow of action, even though we had to sacrifice a good bit of Jim Shooter's dramatics concerning the resignation of Matter-Eater Lad. It was an editorial decision -- lose some characterization or some action -- and characterization lost out! The page was removed, the remainder was re-numbered and the book left for the printers.
Now the question arose as to what to do with this un-used, paid for, Mike Grell page of Legion art. Murray suggested that we use it for a "springboard" and write a new story around it -- which we still might do someday. In the meantime, instead of letting it collect dust on our shelves, we've decided to present it here within our special Legion issue of AWODCC!
If the purists among you wish, you can color the opposite page, clip it out and insert it between pages 7 and 8 of SUPERBOY #212's lead story, thus maintaining the tale in its original form.
However, since those two pages are back to back, this might prove a bit difficult. Because we've just told you how we solved one of our problems, we figured, to be fair, we'd offer suggestions as to how to overcome this page manipulation problem:
1. Buy an extra copy of SUPERBOY #212.
2. Find yourself an incredibly sharp razor blade to split pages 7 and 8 apart.
3. Make your own Editor's Note at the bottom of page 7 referring to this page of AWODCC.
If you can think of any others, please keep them to yourself -- we've got problems of our own!
Part 2: How an Archive is Created
I'm sure this will come as a shock to some readers, but I've been tracking Legion reprints for over 20 years. In the 1990s, I was Archives Lad, and once a year I'd post to Usenet's rec.arts.comics.dc.lsh newsgroup my best guess for what would be coming in the Legion Archives, which were at the time being published annually. Here was my guess for Archives 11 as posted in July 2000. As you can see by scrolling down a bit, Paul Levitz lurked in the newsgroup (as "DCOLevitz", the DCO standing for "DC Online" which was part of DC's AOL presence at the time) and posted from time to time.
I predicted the volume would cover issues 203-214 (it ended up being 203-212), and then said this (emphasis added in bold):
That's 233 pages (not including covers). None of these have already been reprinted. The stories are by either Bates or Shooter, and the art is all Grell (except for Cockrum pencils in 205 and inks by Bill Draut in the backup of 214). I'm hoping for a new cover by Grell, too.At some point years later, Paul Levitz was interviewed by Comic Shop News for their site csnsider.com (unfortunately, the content has long since been removed and I don't have the original URL to check the Internet Archive), came this quote that I copied into a post on the LSH-L email list:
This volume will cover the death of Invisible Kid, Brainiac building a Supergirl robot, the intro of the clone bank, Dvron, Flynt Brojj, Roxxass, Matter-Eater Lad resigning, and the appearance after 26 years of the page that was cut out of issue 212 when they had to cut out a page of story for budget constraints.
And for what it's worth, this volume catches up to the first LSH issue I bought off the newsstand (the aforementioned issue 212).
An Internet board that I poke my head into occasionally was having a discussion of the Legion Archives; they remembered a page that had been cut out of a Grell Legion issue and published in an Amazing World of DC issue later, and they wanted to know if we were going to put the page back in the Archives. I was one of the editors of the book it was reprinted in, and I didn't remember it; I was thrilled to find that page there, and I ran down to Dale Crain and said, "Look what I found!" That will make the Archives a vastly better book.So that's how that deleted page ended up being put into LSH Archive #11. It's page 8A in the book, as seen colored below. (It has since been reprinted again, in 2008's "LSH: 1050 Years of the Future" TPB.)
.jpg)
Part 3: How an Art Collection is Created
OK, not "created" so much as "added to", but that would have wrecked the flow of the three headings.
In 2008 I attended the San Diego Comic Con. Among the many pieces of Legion art I would have loved to have bought but didn't have the budget for, was this page for sale for $1500. Taking and owning this photo is as close as I would be able to get to owning the page itself:
I did not buy it, but not too long afterwards Tom Fleming did. He bought it and posted it to his ComicArtFans page in 2009, where it presumably sits in his collection today (and is likely worth a lot more than $1500). Notice the little stamp in the upper left corner, it says "N.P.P. INVT'Y", meaning that National Periodical Publications wrote that off as inventory.
So there you have it. The long and winding road of page 8A of Superboy #212.
Posts
